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Bial emphasizes the pleasure audiences feel at self-recognition when experiencing the doubly coded, "wink-wink" nature of shows like Seinfeld or the references to a shared Jewish-American past in films like Funny Girl, but describes these readings as "performative" rather than intrinsic to the work. What is it, he asks, that comprises the "Jewish" performance, and to whom is the Jewish reading of that performance available?

The four central chapters of the book focus on case studies of more or less explicitly "Jewish" performances from the period after the Second World War, including among others extended discussion of the television program The Goldbergs; the play and film Fiddler on the Roof; Woody Allen's and Barbra Streisand's many performances on stage and Author: Amy Holberg. Date: Sept. From: American Jewish History Vol.

Publisher: American Jewish Historical Society.